At last, the pie is baked and feasted upon by the girl and all the friends she has made on her travels. Priceman addresses her audience directly, an astute device that draws readers in and lets them accompany the pinafore-clad, Madeleine-esque cook on her travels, from the Italian countryside (she's there for the semolina wheat) to Sri Lanka (for cinnamon, from the bark of the kurundu tree) to Jamaica (for the sugar cane) and home via Vermont (the apples, of course). Energetic watercolors radiate an offbeat nostalgia although they're not moored in any particular period, they contain an appealing jumble of details, from Edwardian (an antique pram turn-of-the-century millinery) through the present day (a yellow school bus). Priceman ( The Tiny, Tiny Boy and the Big, Big Cow ) is a master of whimsy (the chicken chosen to lay the eggs, for example, falls to earth in a parachute). A yen to bake sends a girl on a worldwide shopping spree to gather ingredients for that favorite all-American treat, apple pie.
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